Tuesday, 22 December 2009
Filming 2nd location
In this party scene the camera was held free-hand so it looked like it was the protagonist characters POV. Therefore when the character was pushed to the ground, the camera was held by the actor who played the victim.
Filming 1st location
We used many different types of shot when filming at this location, such as Extreme High Angle Shots, Long Shots, Medium Shots, Low Angle Shots, Zoom Shots and Close-up shots. We used these various shots to try and establish to the audience the location the character has found herself in, a secluded rural area with no-one to be found for miles around.
Tuesday, 15 December 2009
Sunday, 13 December 2009
Feedback
- go back over the early analysis of opening sequences etc and ensure that all have a comment at the end that clarifies what you have learnt/ can copy as a result of looking at what works well...
- cast list - add some cast shots and comment on why the people chosen suit there role
- location shots - these look good, so add some comment to this post about why you have chosen this location - why it suits what you are trying to achieve
- the reflection on the box office stats - I agree with the disadvantage of using a popular genre but what do you try and do to overcome this - can you define what your USP is?
- audience section - not sure I agree with your claim that thrillers are generally enjoyed by all - whilst both genders can enjoy them, often they are more of a male thing? For each of your audience segmentation reflections, can you add comment on what aspects you will use in your film that will appeal to these sectors? You could end this section by commenting on whether it is mainstream or niche and why you want to target just such an audience....
As well as tweaking these details in your own time, make sure you have chosen your music - there is a list of sites in your booklet and Rachel has some CDs of copyright free music....
Please get your footage asap and start editing, so we can see where we are....
Mrs Doggart
Thursday, 10 December 2009
Our chosen Times/Dates
For our second location, we are filming in Sam McMahon's house in Brockhall Village, this is where the party scene will take place. We are filming this on Thursday 17th December. The actors/actresses included in this location are Saliah Idris, Lucy Gillett, Sam McMahon, Ralph Lambert, Christina Calver, Alicia Walker, Becky Tolmie, Liam Kinney, Alex Williams and Taylor Barnes. Sam, Saliah and Lucy will take turns in filming this section.
Tuesday, 8 December 2009
Target Audience for our film
Gender: We have decided that this type of segmentation in our target audience is not relevant to our thriller film, as we feel that both genders like films of the thriller genre. However some genres such as action, romance and horror have gender segmentations, as more females watch certain genres than males, and vice versa.
Race: This is another type of segmentation which does not matter in the target audience for our film, as we fee that any race will like the genre of thriller. There are some types of films, such as the ones produced by Bollywood, whos target audience is mostly a certain race, Indian.
Age: This type of segmentation is probably the only target audience segmentation that applies to our genre and opening sequence. From our research on thriller films, our questionnaire and research on box office films we have decided to give our film a certificate of 15, as all our research shows that this is the appropriate certificate for a thriller film.
Socio-economic Status: We do not feel that a certain group of people, segmented on their socio-economic status are more likely to watch our film. However due to our storyline evolving around teenagers, the subsidence group might be more likely to be are main target audience as the majority of teenagers above the age of 15 are included in this segment.
Location Photographs
Comments on our Box Office Figures
Saturday, 5 December 2009
Feedback
To add :
- section on box office - add why this is significant for your film? why is it important to make a film whose genre is important? can you think of any drawbacks to making a genre that has been so popular for so long and can you overcome any problems this brings?
- audience - have you defined the audience using GRASS and considered what you can do to your opening sequence to ensure that it appeals to this group?
Planning is starting to be evidenced - can you look over the lists and see what is outstanding? You must try and get as much on your blog this week as possible and make every effort to get your footage, so you can start editing!
Mrs Doggart
Friday, 4 December 2009
Box Office Figures
1. | Titanic (1997) | $1,835,300,000 |
2. | $1,129,219,252 | |
3. | $1,060,332,628 | |
4. | The Dark Knight (2008) | $1,001,921,825 |
5. | $968,657,891 | |
6. | $958,404,152 | |
7. | $937,000,866 | |
8. | $925,920,409 | |
9. | $922,379,000 | |
10. | $921,600,000 | |
11. | Jurassic Park (1993) | $919,700,000 |
12. | $892,194,397 | |
13. | Spider-Man 3 (2007) | $885,430,303 |
14. | $882,673,705 | |
15. | Shrek 2 (2004) | $880,871,036 |
16. | $866,300,000 | |
17. | Finding Nemo (2003) | $865,000,000 |
18. | $860,700,000 | |
19. | $848,462,555 | |
20. | $832,076,689 |
1. | 9.2 | The Godfather (1972) | 373,254 |
2. | 9.0 | The Godfather: Part II (1974) | 219,083 |
3. | 8.9 | Pulp Fiction (1994) | 374,281 |
4. | 8.8 | The Dark Knight (2008) | 405,336 |
5. | 8.7 | Rear Window (1954) | 107,330 |
6. | 8.7 | Fight Club (1999) | 340,185 |
7. | 8.7 | Psycho (1960) | 129,519 |
8. | 8.7 | The Usual Suspects (1995) | 243,784 |
9. | 8.7 | The Silence of the Lambs (1991) | 221,312 |
10. | 8.6 | The Matrix (1999) | 344,582 |
11. | 8.6 | North by Northwest (1959) | 84,788 |
12. | 8.6 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) | 144,131 |
13. | 8.6 | Memento (2000) | 243,112 |
14. | 8.6 | Se7en (1995) | 248,208 |
15. | 8.6 | El secreto de sus ojos (2009) | 1,770 |
16. | 8.6 | Léon (1994) | 176,733 |
17. | 8.6 | Taxi Driver (1976) | 139,173 |
18. | 8.6 | Vertigo (1958) | 82,983 |
19. | 8.6 | Double Indemnity (1944) | 33,327 |
20. | 8.5 | M (1931) | 35,815 |
Thursday, 3 December 2009
Alternative first location (field)
Our chosen actors/actresses for our film
Saliah Idris*
PARTY:
Sam McMahon*
Lucy Gillett*
Saliah Idris*
Ralph Lambert
Christina Calver
Alicia Walker
Alex Williams
Chloe Roberts
Taylor Barnes
Becky Tolmie
Charlotte McMahon
*members of our group
PHOTOS NEED TO BE ADDED
Tuesday, 1 December 2009
Feedback
A few suggestions:
- add either some clips or images from films to illustrate your comments
- for each opening sequence, consider how character is established - do the makers create easily recognised stereotypes? if so, how? how do we know who the hero is/ who we are meant to favour?
- how does each opening sequence signal genre?
- narrative - how does each opening sequence construct its narrative - think Todorov?
- Saw clip -needs analysis
- Casino Royale clip - needs reflection at end - what can you learn from these clips and possibly use in your sequence?
- Audience Research - add your reflection - what can you learn from these to incorporate in your product? Define your audience using GRASS and comment on how you will craft your opening to appeal to these groups?
- Thriller OPenings - add reflection on how your sequence will respond to theses conventions - will it follow them? follow most? add something new? offer some reasoning why.
- Thriller Conventions - remember that one of the key narrative expectations is that they continually offer us surprises and twists we don't expect; think through iconography in more detail. What about expectations of media language? what about ;locations? Don't forget to look over the work we did in the blue booklet on this?
- Institutions - need to add why you have made this choice of institutional decision...
- Titles- possibly add what details are shown in the titles and, if names etc appear, when an image is onscreen what kind of space are they located in???
This may look like a lot but it is mainly small additions here and there and will add depth and weight to your work. Having done this, I think it will be a case of mission accomplished on this front!
Mrs Doggart